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Akomfrah's latest work Vertigo Sea (2015) is a new three-screen film installation that explores what Ralph Waldo Emerson calls 'the sublime seas'. Fusing archival material, readings from classical sources and newly shot footage, Akomfrah's piece focu...

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Lost in Export takes as its materials classic scenes from history of film and video art, and nurtures, via an idealistic presentation of affections and romances, a seemingly credible relationship between two groups of characters. The artist appropria...

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Steyerl’s HOW NOT TO BE SEEN: A Fucking Didactic Educational .MOV File is what its title purports it to be: a sly parody of an instructional video (the first part of the title borrowed from a Monty Python sketch). Each of the work’s four sections out...

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电影简介:

Pat O'Neill's second long-form work, following Water & Power. A master of the optical printer, and the single greatest influence on Peter Tscherkassky's "manufractured" cinema, O'Neill reprocesses and recontextualises fragments of found footage &...

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