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电影: «Counter-Music» 2004

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The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images. Representations of traffic regulation, by car, train or metro, representations determi...

电影: «Die führende Rolle» 1994

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1989, the fall of the Berlin wall. Television crews trying, for days on end, to get an emblematic image which would crystallise the event: to no avail. Five years later, Farocki delivers a montage film of this footage, trying to define this ‚absent i...

电影: «再教育» 1994

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Yes.Yes.Yes.Yes.Yes.Yes.. This is the record of a successful sales discussion. When the buyer has said five times, the teacher explains, his brain has become so sluggish, that he'll say yes a sixth time. The teacher comes from West Germany. The class...

电影: «暂留» 2007

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Respite consists of silent black-and-white film shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.' In...

电影: «Memories» 2007

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电影: «Ich glaubte Gefangene zu sehen» 2004

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电影: «工人离开工厂» 2003

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Based on one of the Lumière brothers’ historic first films, Harun Farocki has created a montage of scenes from 100 years of film history, all variations on the theme of “workers leaving the factory”. Farocki uses the pictures to reflect on the iconog...

电影: «眼睛/机器:第三部分»

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Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, m...

电影: «隔岸观火» 2003

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In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on computer. This loss of bearings was to change forever our way of deciphering what we see. Th...

电影: «眼睛/机器:第二部分»

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电影简介:

Harun Farocki utilizes a vast collection of image sequences from laboratories, archives and production facilities to explore modern weapons technology. This trilogy examines "intelligent" image processing techniques such as electronic surveillance, m...