Fern von uns

　　在很長一段時間之後，拉米拉回到了她的家庭，這是一個在阿根廷雨林中有德國血統的農民的社羣。彌合她和她三歲的兒子Matteo和撫養他的母親之間的距離的過程是困難的。拉米拉幾乎不知道該怎麼處理自己。她一直覺得被她已故父親的房子吸引住了，那裡有鴿子築巢。弗恩·馮·昂斯是一部透過大氣來傳達情感狀態的電影，當人們重新面對那些離他們很近的人時，這種感覺就會浮現出來，但仍然是那麼遙遠。這是關於哀悼過去、現在和現在的一切。這首歌以令人印象深刻的方式捕捉到了潮溼的氣候，其中充滿了昆蟲、鳥鳴和雷鳴聲，這些聲音像發燒一樣籠罩著所有的角色。即使是奶牛也像幽靈一樣生病，它們反覆出現在攝像機前，從而偽造出動物和風景的迷人影像。導演們設法以抒情和缺乏感傷的方式來講述這個故事。當拉米拉和馬特奧最後在老房子裡過夜，一起吃煮熟的雞蛋時，第二天早上開始下雪，這意味著更好的時光可能還會到來。 　　After a long period away, Ramira returns to her family, a community of farmers of German descent in the Argentinian rainforest. The process of bridging the distance that has grown up between her and her three-year-old son Matteo and her mother, who raised him, is difficult. Ramira hardly knows what to do with herself. She keeps feeling drawn to the house of her deceased father, where pigeons have nested. Fern von uns is a film that conveys emotional states via atmosphere, the feelings which emerge when people reencounter those close to them, yet still so far away. It’s about mourning what was, what is, and what isn’t. The soundtrack captures the humid climate in impressive fashion, rich in insects, birdsong and claps of thunder, which hangs over all the characters like a fever. Even the cows are sick – like ghosts, they repeatedly appear before the camera, which forges enchanting images of animals and landscape. The directors manage to tell this story with at once lyricism and a lack of sentimentality. When Ramira and Matteo spend the night in the old house at the end and eat hard-boiled eggs together, the snow that starts to fall the next morning suggests better times may still arrive.